What place does the term "Latino" hold in American art history? Compre blusões e casacos para homem na H&M. Getting the Big Picture: Mel Casas and the Politics of the 1960s and 1970s Mel Casas' Humanscape 62. Our America: The Latino Presence in American Art presents the rich and varied contributions of Latino artists in the United States since the mid-twentieth century, when the concept of a collective Latino identity began to emerge. BROWNIES OF THE SOUTHWEST Humanscape 62 72" X 96" 1970. An influential artist, theo Yolanda M. López. It has a great location, close to restaurants, supermarkets, mini golf, go-kart and the sea. Until very recently, Casas painted tirelessly throughout the decades. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. Movies. Humanscape 141 72" X 96" 1987. Malaquias Montoya. 2 of 9 “Humanscape 62 (Brownies of the Southwest),” a 1970 painting by Mel Casas, is part of the permanent collection at the Smithsonian American Art Museum. Artist Mel Casas (American, 1929–2014) Culture / Nationality American. In the early 1970s, Chicano activists successfully lobbied the Frito-Lay Company to remove its cartoon mascot for Frito-Lay corn chips, the Frito Bandito, from public circulation. In 2012, the Smithsonian purchased its second work by Casas, Humanscape 62 (Brownies of the Southwest). Rupert García. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. For example, Kelker demonstrates how Casas’ "Humanscape 16" features four identical young female moviegoers who readily abandon their personal uniqueness and sense of beauty by replicating the look and mannerisms of the bleach blonde, big sunglasses wearing bombshell on the screen. Photo: MEL CASAS / COURTESY PHOTO Bajo el Mismo Sol 000 17. (182.9 × 243.8 cm) Credit Line Bequest of Robert H. Wilson, Jr. A grinning Frito Bandito, who appears to have been carved from semi-precious stone, is perched atop a skeleton and surrounded by a series of ​“brown” references drawn from American and indigenous cultures. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 94: Art Lures (1978), Acrylic on canvas, 72 × 96 in Humanscape 62 . I recommended H. 62 (Brownies of the Southwest), and because by that time Mel had given his wife Grace the authority to make decisions concerning his work, the purchase was made. The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art. Mel Casas: Artist as Cultural Adjuster showcases the work of American Pop Artist Mel Casas. The exhibition is drawn entirely from the Smithsonian American Art Museum's pioneering collection of Latino art. Casas’ Humanscape 62 crystallizes many of the recurring concerns featured in Chicano art of the late 1960s and 1970s. Mel Casas is on Facebook. Cordova, Ruben C. Aztlan: A Journal of Chicano Studies, v36 n2 p51-87 Fall 2011. This painting is divided into three different sections: the large screen image, which recalls old-fashioned televisions. For the most part, the show was comprised of Casas’ smaller paintings. We are not announcing a reopening date at this time and will provide updates on our websites and social media. Casas clearly was in tune with the art movements of the 1960s, and had mastered formalism, Pop art, and conceptual art by the end of that decade. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. November 24, 1929 - November 30, 2014Melesio (Mel) Casas, born in El Paso, Texas, on November 24, 1929, passed away at his home in San Antonio on Sunday, November 30, 2014. Welcome to Casa Mel – Our ground floor apartment between Playa Flamenca and Punta Prima! Dimensions 72 × 96 in. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. Humanscape 62, 1970, Mel Casas, Smithsonian American Art Museum . It will be in the “Pop América” show at the McNay. This exhibition is organized by Bianca Alvarez, Semmes Foundation Intern in … You see it’s slightly bowed at each end. Titles. Courtesy San Antonio College Show More Show Less 3 of 10 "Humanscape 62 (Brownies of the Southwest)," a 1970 painting by Mel Casas, will become … Cordova’s series focuses exclusively on the artist’s 6-foot-by-8-foot works. Keep in touch by subscribing to news and updates from SAAM and Renwick Gallery. mel casas contemporary hispanic chicano modern artist NOTICE: All paintings represented on this site are the original work of Mel Casas. In this series, E. Carmen Ramos, curator of Latino art, discusses the exhibition Our America: The Latino Presence in American Art at the Smithsonian American Art Museum. Father and Son (Desert Crossing) 000 18. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. One of the greatest byproducts of the nuclear arms race was the creation of a phallocratic race, spearheaded by academic disciplines such as Physics that up to this day predominantly embody a phallocratic language and ‘gaze’ within their departments. IMAGE 2: MEL CASAS, HUMANSCAPE 63, 1969. Casas got the idea for the Humanscape series in 1965, when he drove past a drive-in theater. Menu. All public programs are online only, on-site public tours and events are currently suspended. I never had the good fortune of meeting Mel Casas in person. The Guadalupe Cultural Arts Center . Artemio Rodríguez. As a public health precaution due to COVID-19, all Smithsonian museums are closed temporarily. Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 95: Bird Watching Art (1978), Acrylic on canvas, 72 × 96 in Humanscape 62 (Brownies of the Southwest) 000 13. Mel Casas’s pun-laced Humanscape 62 combines elements familiar to many Americans: brownie desserts and a young Girl Scout (a Brownie), with traditional Mexican imagery. Such incongruent juxtapositions — which include a tempting plate of brownies, a junior Girl Scout, a Native American in profile, and quotes of masterworks such as an Aztec mosaic — critique the trivialization of Chicano culture by mainstream American advertising and allude to the rich cultures that stereotypes obscure. "Mel Casas: Artist as Cultural Adjuster" is a book that will appeal to many audiences from everyday people to academics. Here, he depicts a large plate of yummy brownies as they might appear in a television commercial. Such influences are evident in his best known work, "Humanscape 62: Brownies of the Southwest" (1970), where a plate of chocolate brownies is shown as a pejorative reference to skin color on a panoramic drive-in movie screen that serves as a backdrop to a variety of stereotypical Latinos and Native Americans. S.A. residents attended the opening of SEX & CINEMA with Mel Casas, featuring the late artist's Humanscape paintings at the FL!GHT in the Blue Star Arts Complex on June 25, 2015. Humanscape 62 . The Smithsonian American Art Museum is proud to own paintings by artist, including Humanscape 62, which was featured in our exhibition Our America: The Latino Presence in American Art.In this blog post, Curator for Latino Art E. Carmen Ramos reflects on the importance of Casas' art. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. Mel Casas, “Humanscape 68 (Kitchen Spanish)” (1973), 72″ x 96″, acrylic/canvas. Painted in 1970, this artwork is part of Casas’ “Humanscape” series, San Antonio-based artist Mel Casas died on November 30, 2014 after a two-year battle with cancer. Mel Casas: Human is presented in tandem with Pop América, 1965–1975, in which the artist is also featured; the two exhibitions mark the premiere of the artist’s work at the McNay. Casas decided it would be his last Humanscape because he had run out of clichés to mock. Getting the Big Picture: Mel Casas and the Politics of the 1960s and 1970s 000 16. Available for sale from Ruiz-Healy Art, Mel Casas, Crabby (1991), Acrylic on canvas, 24 × 24 in Mel Casas: Human is presented in tandem with Pop América, 1965–1975, in which the artist is also featured; the two exhibitions mark the premiere of the artist’s work at the McNay. He is best known for his series of 150 large-scale paintings called "Humanscapes" that were painted between 1965 and 1989. Mel Casas’ Humanscape 87. This episode looks at the painting Humanscape 62 by Melesio Casas. As a public health precaution due to COVID-19, all Smithsonian museums are closed temporarily. Casas decided it would be his last Humanscape because he had run out of clichés to mock. Melesio "Mel" Casas (November 24, 1929 – November 30, 2014) was a Chicano artist, activist, writer and teacher. But Casas was not just a painter. This painting, which comes from a larger series of works called “Humanscapes,” were actually inspired by Casas’ experience seeing a drive-in movie screen and seeing these huge images of people and things. Mel Casas: Human is presented in tandem with Pop América, 1965–1975, in which the artist is also featured; the two exhibitions mark the premiere of the artist’s work at the McNay. “Our America: The Latino Presence in American Art:” A Radical Proposal` The first juxtaposition in the lecture by E. Carmen Ramos that introduced “Our America,” an exhibition at the Smithsonian American Art Museum, told the story she wanted to tell: the 1986 painting by Frank Romero of the police shooting of Rubén Salazar in 1970 next to “Washington Crossing the Delaware.” An interview of Mel Casas conducted in 1996 August 14-16, by Paul Karlstrom, for the Smithsonian Archives of American Art. 1 of 30 S.A. residents attended the opening of SEX & CINEMA with Mel Casas, featuring the late artist's Humanscape paintings at the FL!GHT in the Blue Star Arts Complex on June 25, 2015. GETTING the BIG PICTURE: Political Themes in the Art of MEL CASAS, 1968-1977. There is also another Casas Humanscape painting that is currently on display in San Antonio. He had a strange encounter in a drive-in movie screening in which he saw larger than life characters. This figure is the centerpiece of Casas’s pop-styled painting Humanscape 62. IMAGE 3: MEL CASAS, HUMANSCAPE 62, 1969. Inventories of American Painting and Sculpture, Art Bridges + Terra Foundation Initiative, Using the Nam June Paik Archive - Access and Hours, Highlights from the Nam June Paik Archive, Online Resources for Researching Nam June Paik, Publication Requests for the Nam June Paik Archive. Eliot Elisofon Photographic Archives, African Art, Assistant Secretary for Communications and External Affairs, Gran exposición explora el arte latino moderno y contemporáneo desde el 25 de octubre en el Museo de Arte Americano del Smithsonian, Smithsonian American Art Museum Exhibition of Modern and Contemporary Latino Art Begins National Tour, Major Exhibition To Explore Modern and Contemporary Latino Art Opens at the Smithsonian American Art Museum Oct. 25, “Nuestra América: la presencia latina en el arte estadounidense” Se inaugura el 25 de octubre en el Museo de Arte Americano del Smithsonian. It was remodelled completely in 2017. Undocumented 000 15. “Our America: The Latino Presence in American Art” presents the rich and varied contributions of Latino artists in the United States since the mid-20th cent ... All paintings represented on this site are the original work of Mel Casas. IMAGE 2: MEL CASAS, HUMANSCAPE 63, 1969. Humanscape - An Exhibition in Tribute to Mel Casas By Office of University Communications Tuesday, 05 26 2015. News Room News Archives FY 2019 News YR 2018 News YR 2017 News YR 2016 News YR 2015 News YR 2014 News YR 2013 News Jaguars in the Spotlight YR 2019 Profiles YR … Some might wonder: what makes this painting so iconic? Available for sale from Ruiz-Healy Art, Mel Casas, Humanscape 135: #2 Mexican Plate (1984), Acrylic on canvas, 72 × 96 in His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum, and nationally and internationally. I did read about his art and spent a fair amount of time thinking about his well-known Humanscape 62. It explores how Latino artists shaped the artistic movements of their day and recalibrated key themes in American art and culture. Melesio “Mel” Casas, Humanscape 62, 1970, acrylic, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. Photo: MEL CASAS / … Available for sale from Ruiz-Healy Art, Mel Casas, Visual Scent (1999), Acrylic on canvas, 24 × 24 in 5 of 10 Humanscape 70 (Comic Whitewash), left, Humanscape 68 (Kitchen Spanish) and Humanscape 65 (New Horizons) are part of the show "Getting the Big Picture: Mel Casas and the Politics of … Melesio “Mel” Casas, Humanscape 62, 1970, acrylic, Smithsonian American Art Museum, Museum purchase through the Luisita L. and Franz H. Denghausen Endowment. Ester Hern ndez. He used visual statements, his sense of humor and love of puns to "address cultural stereotypes." IMAGE 3: MEL CASAS, HUMANSCAPE 62, 1969. Who's the Illegal Alien, Pilgrim? 2 of 9 “Humanscape 62 (Brownies of the Southwest),” a 1970 painting by Mel Casas, is part of the permanent collection at the Smithsonian American Art Museum. With the history of art as its foundation, Kelker took several steps to correlate Casas’ body of works to America’s social history, popular culture, psychology, gender studies, and issues of social justice. His work has been collected by the San Antonio Museum of Art, Smithsonian American Art Museum, and nationally and internationally. Join Facebook to connect with Mel Casas and others you may know. The exhibit includes six of Casas’ famous Humanscape series, of which he made 150. E. CARMEN RAMOS: This is Mel Casas’ “Humanscape 62,” which is a painting that he executed in 1970. The paintings and their images are not to be reproduced, copied, or used for any other purposes without explicit permission.. Cordova’s series focuses exclusively on the artist’s 6-foot-by-8-foot works. This exhibition … The 153 paintings that San Antonio-based artist Mel Casas calls Humanscapes were inspired by a glimpse of a drive-in movie screen. Casas was also well known as a writer and theorist. This exhibition is organized by Bianca Alvarez, Semmes Foundation Intern in Museum Studies, 2017-2018, for the McNay Art Museum. In Casas’ hands Pop Art became a vehicle for cultural, social and political commentary from a Chicano point-of-view. San Antonio-based artist Mel Casas died on November 30, 2014 after a two-year battle with cancer. Release Calendar DVD & Blu-ray Releases Top Rated Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Showtimes & Tickets In Theaters Coming Soon Coming Soon … People to academics of Casas ' 150 Humanscape paintings from 1965 to 1989 did read about his Art and 1970s. Never had the good fortune of meeting Mel Casas, Humanscape 62, 1970 Mel! Book by the San Antonio Museum of Art historian Nancy Kelker ’ s bowed... 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