The opulent Cappella dei Principi, an idea formulated by Cosimo I, was put into effect by Ferdinand I de' Medici. a four-stage construction of the exterior, only the last involving Michelangelo.6 The at tractiveness of the traditional view depends largely … (Latin sacrastia, vestry).. A room in the church or attached thereto, where the vestments, church furnishings and the like, sacred vessels, and other treasures are kept, and where the clergy meet and vest for the various ecclesiastical functions. In the early Christian church, two rooms beside the apse, the diaconicon and the The Sagrestia Vecchia di San Lorenzo, or Old Sacristy of San Lorenzo, is the older of two sacristies of the Basilica of San Lorenzo in Florence, Italy. Old Sacristy. Juan Martínez Montañés and Francisco Pacheco, Louis le Vau, André le Nôtre, and Charles le Brun, Château de Versailles, Claude Perrault, East façade of the Louvre, John Michael Wright, The Coronation Portrait of Charles II, Different Places: Japanese porcelain with English gilt-bronze mounts, The Formation of a French School: the Royal Academy of Painting and Sculpture, The Age of Enlightenment, an introduction, Pierre-Alexandre Barthélémy Vignon, Church of La Madeleine, Jacques-Germain Soufflot, The Panthéon (Church of Ste-Geneviève), Paris, https://smarthistory.org/brunelleschi-old-sacristy-san-lorenzo-florence/. [12], The octagonal Cappella dei Principi surmounted by a tall dome, 59 m. high, is the distinguishing feature of San Lorenzo when seen from a distance. • New Sacristy. This houses a famous cycle of frescoes by Benozzo Gozzoli, painted around 1459. The lantern at the top of the New Sacristy is made out of marble and has an "...unusual polyhedron mounted on the peak of the conical roof". 245.... Get premium, high resolution news photos at Getty Images This commission was made soon after the expansion of the church's liturgical east endwas begun. As you can imagine, the New Sacristy was a great challenge for Michelangelo, who worked on it for over ten years and managed to achieve a perfect blend of architecture and sculpture. The result is that the two magnificent existing tombs are those of comparatively insignificant Medici: Lorenzo di Piero, Duke of Urbino and Giuliano di Lorenzo, Duke of Nemours. For the execution of its astonishing revetment of marbles inlaid with colored marbles and semi-precious stone, the Grand Ducal hardstone workshop, the Opificio delle Pietre Dure was established. From 1428 to about 1443 Donatello was at work on the sculptural decoration of the Old Sacristy of San Lorenzo, built by Brunelleschi between 1418 and 1428. The Corridor to the Choir 22. The Sagrestia Nuova or New Sacristy which dates from the 16th century is located within Florence’s Basilica di San Lorenzo church. The Old Sacristy One of the famous Florentine architect’s first projects, between 1422 and 1428 Brunelleschi constructed the Old Sacristy (Sacrestia Vecchia) in which his architectural vision was fully brought forth in the geometrical spaces accurately divided according to exact proportions. Find premium, high-resolution illustrative art at Getty Images. It was above all Cardinal Giulio de’ Medici, the future Pope Clement VII, who wished to erect a mausoleum for certain members of his family, namely, Lorenzo the Magnificentand his brothers Lorenzo, Duk… Statue of St. María Josefa (Entrance to Necropolis-Exit from Grottoes) The Medici Chapels (Cappelle medicee) are two structures at the Basilica of San Lorenzo, Florence, Italy, dating from the 16th and 17th centuries, and built as extensions to Brunelleschi's 15th-century church, with the purpose of celebrating the Medici family, patrons of the church and Grand Dukes of Tuscany.The Sagrestia Nuova (" The lantern is a bit less than seven meters tall and "...is equal to the height of the dome it surmounts". It is a funerary chapel containing the tombs of a famous son and a grandson of Lawrence and is the work of Michelangelo. It is one of two structures known as the Medici chapels. 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